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Mythologies

Year Composed

2026

Duration

12:30

Instrumentation

Trumpet (Bb or C) and piano 

Price:

Under exclusivity until August 1, 2027.

Program Notes

Mythologies (2026) is a sonata for trumpet and piano that explores archetypes, expectations, and the experiences that make us who we are. Each movement is inspired by a different Greek god or goddess, utilizing epithets ascribed to them as musical points of reflection and friction. The first movement, "Messenger," introduces Hermes as the herald of the gods, swiftly delivering news between Mount Olympus, the realm of mortals, and the underworld. The trumpet and piano traverse murky harmonic and textural territory, taking bold leaps and big chances in navigating both the villainous and the divine. The second movement, "Archer," sonically depicts the charming and at times prideful Apollo, god of music and poetry. This movement's main theme fluctuates between dance and lament as the performers attempt to balance the pastoral life of the lyre with the heroism of bows and arrows. The final movement, "Huntress," celebrates the independent and adventurous Artemis, goddess of wilderness, nature, and the hunt. The trumpet and piano musically prowl and pounce with fearless articulated figures and nimble melodic gestures. Mythologies showcases the trumpet's virtuosity and lyrical beauty, investigating the difference between how we see ourselves, how others see us, and what parts of our story might live on through time. Thank you to Marcus Grant, Matthew Vangjel, and the consortium for commissioning Mythologies and for their support of new music for trumpet.

Additional Information

I. Messenger (5')

II. Archer (4'30")

III. Huntress (3')


Mythologies Consortium Members

Ross Ahlhorn, Louisiana State University

John Aley, Emeritus Prof. of Trumpet Mead Witter School of Music University of WI-Madison

Jason Bergman, Indiana University

Andrew Bishop, Iowa State University

Mary Elizabeth Bowden, Shenandoah Conservatory

Joel Brennan

Michael S. Brown Jr., University of North Georgia

David Collins, Royal Irish Academy of Music

Louie Eckhardt, Hastings College

Tim Farrell, University of Nebraska at Kearney

Megan George, Louisiana Tech University

Kenken Gorder, Austin Chamber Music Center & Density512

Marcus Grant (Consortium Lead)

Benjamin Hay, Northeastern State University

Adrian Holton, Colorado Springs Philharmonic

Christopher Keach, Crane School of Music

Ashley Killam, AK Artist Management

John Marchiando, University of New Mexico

Max Otto Matzen, Utah State University

Joey Moore, University of Memphis

Matthew Onstad, University of Wisconsin-Whitewater

Jacinda Ripley, Tarleton State University

Amanda Ross, Oakland University

Brennan Rudy, University of Chicago

Raquel Samayoa, University of North Texas

Coleman Scott, Washburn University

Victoria Sewell, University of Missouri Kansas City

Fred Sienkiewicz, Vanderbilt University

Madison Sinan, The Calla Project

Hollyn Slykhuis, Chroma Collective

Charlie Smith, University of Colorado Boulder

Leilani Spurlock

Julia Stowell, University of Kentucky

Mary Thornton, Texas A&M University - Corpus Christi

Matt Vangjel, University of Missouri-Kansas City (Consortium Lead)

Aren Van Houzen, Truman State University

Stephen M. Wadsack, Kennesaw State University

Brian Walker, University of North Texas

Alan Wenger, University of Central Missouri

Tim Wootton, Springfield Symphony Orchestra

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