Works

Large Ensemble

Orchestra 

Droughts and Downpours, arrangement for string orchestra (2025) 8' | *premiering April 27, 2025*

Fearless, for chamber orchestra, mixed choir, and opt. electronics (2024) 5' | *premiering April 23, 2025*

Everything Beautiful, for orchestra (2024) 6'30" | 3333/4331/timp.3 perc/pno/str

Bravado, for orchestra (2023) 3' | 2222/42211/timp.2 perc/hp/str 

Vitality, for orchestra (2022) 6' | 3333/4331/timp.2 perc/hp.pno/str

Persist, for two sopranos and chamber orchestra (2020) 6'

Persist, arrangement for two trumpets and chamber orchestra (2024) 6'

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Wind Band

Love & Nature, for wind band (2024) 10'

Bravado, arrangement for wind band (2023) 3'  

Vitality, arrangement for wind band (2023) 6'

The Bird-While, concerto for solo flute, clarinet, violin, cello, and symphonic winds (2022) OR for woodwind quintet and symphonic winds (2024) 18'​

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Chamber Winds

Modern Legacy, for large chamber winds (2025) 12:30 | *premiering April 13, 2025*

Self-Talk, arranged for chamber winds (2024) 11'

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Choir​

Mountain Song, for two-part chorus and piano (2025) 3' | *premiering March 2025*

Fearless, for chamber orchestra, mixed choir, and opt. electronics (2024) 5' | *premiering April 2025*

Flower Chant, for treble choir (2023) 4'30"

Watch Me, for low voice choir (2023) 4'

Ask the Orange, for SATB choir (2022) 5'

Anonymous Woman, for SSAATTBB choir (2018) 4'

I Could Fall, for treble choir or three treble voices (2016) 2'30"

The Parting Glass, for SATB choir (2014) 4'

Snow Whispers, for SSAATTBB choir (2013) 3'30"

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Chamber Music

Brass

A new solo for tuba and piano (2025) 6-9' | Commissioned by Nathan Shook

Watch Me, arr. brass ensemble (2025) 4' | Commissioned by Michael S. Brown Jr. *premiering April 2025*

I Could Fall, arr. brass ensemble (2025) 2'30" | Commissioned by Michael S. Brown Jr. *premiering April 2025*

The Parting Glass, arr. brass ensemble (2025) 4' | Commissioned by Michael S. Brown Jr. *premiering April 2025*

Monochrome Metronome, for brass quintet (2025) 5-7' *under exclusivity until June 2026*

Embers (2025) 5' | Commissioned by Jarrett McCourt *premiering April 2025*

Smoke and Mirrors, arr. for horn and piano (2024) 5'30"

Flutter, for tenor saxophone and horn (2024) 4'

A Crab, A Quill, for tuba and piano (2023) 3'30" Available as part of Diversify the Stand's Winds of Change collection

Until My Last Breath, for horn soloist with horn sextet (2023) 8'

A Crab, A Quill, for horn and piano (2023) 3'30" Also available as part of Diversify the Stand's Winds of Change collection

A Crab, A Quill, for euphonium and piano (2023) 3'30" Also available as part of Diversify the Stand's Winds of Change collection

Memory Home, for tenor trombone and piano (2023) 5'30"

Where the Boats Go, for horn and piano (2022) 5'

The Parting Glass, arrangement for horn choir (2022) 4'

A Crab, A Quill, for trombone and piano (2022) 3'30" Also available as part of Diversify the Stand's Winds of Change collection

A Crab, A Quill, for trumpet and piano (2021) 3'30" Also available as part of Diversify the Stand's Winds of Change collection

Comments by Computers, arrangement for trombone and piano (2021) 10'

Shadow Song, for horn and trombone (2020) 3'

Breathing Underwater, for euphonium, tuba, and piano (2019) 5'30"

To See a World in a Grain of Sand, for trumpet and horn (2017) 3'

Duet, for horn and alpine horn (2016) 9'

Dear Johanna, for trumpet and alto saxophone (2016) 3' // version available for trumpet and English horn (2025) 3'

Bizarre Barbershop, for horn quartet (2015) 2'30"

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Woodwinds

Dabble, for clarinet quartet (2025) 5'

Flutter, for tenor saxophone and horn (2024) 4'

Smoke and Mirrors, for tenor saxophone and piano (2024) 5'30"

Asphodel, for two soprano saxophones (2024) 3'

Burn as Brightly, for soprano saxophone and alto saxophone (2024) 3'

Red Giant, for SATB or AATB saxophone quartet (2023) 5'

Asphodel, for flute and clarinet (2023) 3'

Sweet Nothings, for alto saxophone and piano (2023) 10'

What the Trees Know, for oboe, cello, and marimba (2023) 9'

How Vast, for tenor voice, Pierrot ensemble, and percussion (2022) 8'

Outer Voices, for soprano saxophone and piano (2022) 5'30"

Miss Minutes, micro-concerto for percussion with flute, clarinet, piano, and string quartet (2022) 8'

Candlewood, for soprano saxophone and piano (2021) 8'

Mother Time, Father Nature, for bassoon and piano (2021) 7'

Breathing Light, for flute, clarinet, violin, and cello (2021) 6'

Matriarch, for wind quintet (2020) 7'30"

Burning Day, for two alto saxophones (2019) 6'

Chloe Summers, for soprano voice and alto saxophone (2019) 5'

Dabble, for saxophone quartet (2019) 5'

Enough, for violin, bassoon, piano, and percussion (2018) 6'

Self-Talk, for reed quintet (2018) 11'

All Lines From Lead To, for two flutes (2016) 6'

Dear Johanna, for trumpet and alto saxophone (2016) 3' // version available for trumpet and English horn (2025) 3'

Citrine, for clarinet and ukulele (2014) 2'

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Strings

Nebulous Beauty, for string quartet (2025) -- Winner of the 2024 Barlow Endowment General Commission

Droughts and Downpours, for bass septet (2024) 8'30"

Burn as Brightly, for two violas (2024) 3'

Burn as Brightly, for violin and cello (2023) 3'

Wishes and Warnings, for violin and viola (2023) 3'

What the Trees Know, for oboe, cello, and marimba (2023) 9'

E Pluribus Unum, for violin and viola (2023) 8'

How Vast, for tenor voice, Pierrot ensemble, and percussion (2022) 8'

Miss Minutes, micro-concerto for percussion with flute, clarinet, piano, and string quartet (2022) 8'

Breathing Light, for flute, clarinet, violin, and cello (2021) 6'

Burning Day, arrangement for violin and viola (2021) 6'30"

Enough, for violin, bassoon, piano, and percussion (2018) 6'

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Percussion

What the Trees Know, for oboe, cello, and marimba (2023) 9'

How Vast, for tenor voice, Pierrot ensemble, and percussion (2022) 8'

Miss Minutes, micro-concerto for percussion with flute, clarinet, piano, and string quartet (2022) 8'

Enough, for violin, bassoon, piano, and percussion (2018) 6'

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Voice​

A New Pledge of Allegiance, for mezzo-soprano and piano (2022) 4'30"

Caro mio ben, arrangement for high voice and piano (2022) 3'

The New Colossus Songs, for mezzo-soprano and piano (2021) 8' 

Chloe Summers, for soprano voice and alto saxophone (2019) 5'

I Could Fall, for treble choir or three treble voices (2016) 2'30"

Comments by Computers, for high voice and piano (2016) 10'

If I, for soprano and piano (2015) 3'30"

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Open Instrumentation

Graphic Climate, for open instrumentation (2023) open duration

Seasons, for open instrumentation (2016, rev. 2017) 10'+

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Solo Unaccompanied

Brass

Moon Dream, arrangement for horn (2022) 2'

Prophecy, for horn (2018) 5'

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Woodwinds

Moon Dream, for soprano saxophone (2020) 2'

Fake Smile, arrangement for flute (2020) 4'

Where You Are Now, for bassoon (2019) 6'

Prophecy, arrangement for alto saxophone (2019) 5'

See What You Do, for flute (2017) 3'30"

Fake Smile, for alto saxophone (2016) 4'

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Strings

Shadow Land, for cello (2020) 2'

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Percussion

Fragile Goods, for solo percussion (2019) 5'

Precious Metals, for solo percussion (2019) 5'

Speak, for solo percussion (2019) 5'

Piano
Interferences, for piano (2020) 7'

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Opera, Theatre, and Film 

Interlude and score for "Wednesday" and "Thursday" of Buster Keaton's One Week (2023) | Boston Globe write-up​

Reap What You Soul, one-act comedic opera (2021)

in private public, film and installation (2021)

Score for Break a Leg, short film (2018)

Incidental music for Metamorphoses, theatre (2016)

Incidental music for The Life and Adventures of Nicholas Nickleby, theatre (2015)